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PARK Hae-il
AHN Sung-ki
MOON So-ri
HAN Ye-ri
- Hi - How are you?
Good.
Back there, it was this song?
so shut off boy so shut off boy
Right?
Yeah.
It goes up and down, you know.
Like any old person.
Does he eat regularly?
Yes, he does.
- Hi. - Hello.
- Hi. - Oh, hi.
Grandpa says you're very good to him.
Thank you.
Oh, not at all. I didn't do much.
- Take care. - Yes, you too.
Have a good day.
That lady is really nice.
She's quite special to your grandfather.
I know that look of his.
He looks at her in a very peculiar way.
Looks totally like a young man from behind.
A nice derriere, indeed.
Uh, go ahead.
if you need anything just let me know.
Okay.
How is it going?
You hear that?
What?
Close your eyes.
Now you hear it, right?
Yeah, I do.
What is this?
An apple.
You're too obsessed with apples.
It's like you're just expecting the apple not me.
Don't jump to a conclusion like that, dear.
Otherwise you'll have what I have.
What do you have?
They have mental disorder, but I don't.
I have depression.
Thank you.
But I'm cleaning right now.
Help yourself, sir.
It's because I'm working.
You have it, sir.
I appreciate your kindness.
Yes, thank you.
It's okay, you have it.
Please, sir. Why are you…
Now it's your turn to run after me.
Take this. Now.
We meet at last.
Cut!
The director will speak with the actors now.
Are you okay?
Did I stab too hard?
Oh, gosh. Can't control my strength.
Water, please.
I think the previous take was better.
OK!
OK cut! Moving on to the next scene right away.
Mr. Director, I have something to say.
Sir, you can't film like this.
Who the heck are you?
He's the gaffer.
Dude, what are you doing. Come here.
Mr. Director, do you believe in love?
Do you?
Are you nuts?
I don't think you believe in love.
It's an insult to love if you film like this.
Come here, you.
Yes, sir.
So, you want to be a director?
Love?
Film it.
Apologies! Moving on to the next scene!
You think you know what film is?
You don't know anything and you're ruining the film!
You crazy son of a bitch!
Apologies...
What are you looking for?
Some guy told me to get this here.
Leave it here.
Nothing to reward me?
Nope. Go away.
Collected Short Stories by Jorge Luis Borges
Perhaps the wall was a challenge and Shih Huang Ti thought
Men love the past
and neither I nor my executioners can do anything against that love,
but someday there will be a man who feels as I do
and he will efface my memory and be my mirror and not know it.
Perhaps Shih Huang Ti walled in his empire
because he knew that it was perishable and destroyed the books
because he understood they were sacred books, in other words, books that teach.
what the entire universe or the mind of every man teaches.
Perhaps the burning of the libraries and the erection of the wall are operations,
which in some secret way cancel each other.
Restricted Area
Gone is the cloud in the air and bright moon lights up the sky
Best time of the year for lovers reunion
A pair of mandarin ducks play in a clear pond
Two pink lotus blooming above green leaves
Deeply in love, hand in hand
Sweet breeze of tenderness
Filled the world with the romantic
Every one of you put black clothes on the dying.
Every one of you put white clothes on the living.
Then put them to sleep On the bed side by side.
If all of them cry tears, Give them breast milk.
By the time dawn breaks, A bugle call will surely be heard.
Hyun Choi!
Your hand is silky smooth. Since when did you work as a gaffer?
Since 2001.
I hear you wanted to be a director.
Yes.
But you look like you're acting right now.
You sent this postcard, didn't you?
Yes.
What's the peeled apple about?
Nothing.
You killed the cleaning lady and the old man!
No.
We have all the evidence here.
We found your work clothes on the third floor and your hat in the basement.
Yes.
Did you argue with the director at 2pm and dump the film reel at 3pm?
Yes.
Did you head straight home afterwards?
Yes.
You set the bridge on fire!
I don't know.
You killed them, you crazy son of a bitch!
I don't remember.
You killed both of them and set the bridge on fire.
I did not.
Can you hear me, Soon-yi?
Do you remember the old man and his granddaughter?
Say you killed them.
Fine, I did it. I killed all of them.
My dear baby, grandpa will be looking over us wherever we go.
Oh, you're here again.
Hi.
- How are you? - Good.
What was that song back there?
It's an old song.
Never heard it before.
I see.
You look a little different today.
Do I?
Is there a Chinese patient as well?
Oh, the short guy with glasses?
Yeah.
He's been here for a long while.
It was a Chinese song back there.
Well, that was unexpected.
It goes up and down, you know.
Like any old person.
Does he eat regularly?
Yes, he does.
- Hi. - Hello.
- Hi. - Oh, hi.
Grandpa says you're very good to him.
Thank you.
Oh, not at all. I didn't do much.
- Take care. - Yes, you too.
Have a good day.
That lady is really nice.
She's quite special to your grandfather.
I know that look of his.
He looks at her in a very peculiar way.
Looks totally like a young man from behind.
A nice derriere, indeed.
Uh, go ahead.
if you need anything just let me know.
Okay.
How is it going?
You hear that?
What?
Close your eyes.
Now you hear it, right?
Yeah, I do.
What is this?
An apple.
You're too obsessed with apples.
It's like you're just expecting the apple not me.
Don't jump to a conclusion like that, dear.
Otherwise you'll have what I have.
What do you have?
They have mental disorder, but I don't.
I have depression.
I'm depressed from time to time.
Peanut. Anchovy. Cabbage.
Fire upon water, water upon fire
Anchovy. Peanut. Cabbage.
Cabbage. Anchovy. Peanut.
Thank you.
But I'm cleaning right now.
Help yourself, sir.
I'm sorry, but I'm working.
Help yourself, sir.
I appreciate your kindness.
Yes, thank you.
Please, sir. Why are you…
Now it's your turn to run after me.
Take this. Now.
We meet at last.
OK!
OK cut! Moving on to the next scene right away.
Mr. Director, I have something to say.
Sir, you can't film like this.
Who the heck are you?
He's the gaffer.
Dude, what are you doing. Come here.
Mr. Director, do you believe in love?
Do you?
Are you nuts?
I don't think you believe in love.
It's an insult to love if you film like this.
Come here, you.
Yes, sir.
So, you want to be a director?
Love?
Film it.
I'm sorry, Mr. director.
Apologies! Moving on to the next scene!
Mr. Director, let me say one last word.
Soon-yi! When was it that you came into my shrine?
When was it that I went to yours?
Our shrine was a shrine of love Molded by age-old ethos.
Soon-yi! Close your crystal eyes downwards like a doe!
I'll comb my disheveled hair like a lion.
Our love was nothing but a deaf affair.
Oh, youth! Before the heated sacred candlestick dies out,
Soon-yi! Rush towards the front gate!
Before darkness and wind lash against the glass window,
I'll go away through the back gate Keeping your undying love in my arm.
Now, There's a warm lake in the forest for you,
There's a precipitous mountain range for me.
Do you believe in love?
The End