Translation and subtitles by PEPPER & LALASPAIN *** SONG LIVES FOR EVER ***
- Police. What's your emergency? - Help! Help, please!
MADRID 15th JUNE 1991
1:35 A.M.
- Please help! - Quiet down so I can understand. What's happening?
Please, you have to come, please. He's inside!
I need you to quiet down and describe for me what you see.
Did someone break into your home?
Hello?
Unit 27, please respond immediately at the scene.
Detective! It's in that building there. Third floor, door C.
Command center, report. We are on our way.
- He's here! - Vero!
Vero! Vero! Vero!
Mom! Mom!
What's happened?
- Detective! - We are sending a police car.
- I need you to give me your address. - Calle Gerardo Núñez, 8.
Are you still there?
Hello?
Attention all units, we got a 4-0-2 on Calle Gerardo Núñez, 8.
I need all police patrol cars that are available in the area.
Repeat: Calle Gerardo Núñez, 8.
IN THE EARLY MORNING OF JUNE 15th 1991, A CALL FOR HELP
WAS RECEIVED AT THE POLICE STATION NUMBER 02-12 IN MADRID.
This story is based on the police report written by the detective in charge.
Confirmed. They're four children. There are two still remaining upstairs.
Three days earlier.
Thursday
Three days earlier. THURSDAY, JUNE 12th 1991
- Irene. - Hmm?
You go to the bathroom first.
Lucía, come on. Get up now.
Don't make too much noise.
Come on, boy. Up you go.
Come on. We are going to school.
I feel like going to school.
Do you want to go to school? Very good.
- Did you wet your bed again? - Yes.
Come.
Go to the bathroom so Irene can get you all cleaned up.
- Vero! - What's wrong?
Irene won't let me in!
I'm taking a shower!
Don't yell! The boy has wet his bed again.
- Help him wash himself. You're the biggest one. - OK.
I heard that. I am the biggest one. I came out first.
- Did you warm up the milk? - No.
And you're the biggest one?
Lucía! Be careful, please!
The teacher said to bring in some photographs to see the eclipse.
- Photographs? - Yes.
Your turn. Not pictures. We need to bring in some negatives
to put them before our eyes.
Yuck! The towel smells like wet chicken! You smell like wet chicken.
Stop it! Vero!
Lucía, leave Irene alone. Get a towel from the clothes line outside.
- OK. - Your laces are loose.
And you could have told me about the photographs last night!
- I forgot. - I'll do it. I'll do it.
OK, OK. You do it.
- Which towel did you use? - The pink one. Get this one.
The pink one is mine!
Is everything OK?
Yes.
Last night I had to close the bar at two in the morning due to a birthday party.
I am knackered.
I am just looking for a photograph for a project at school.
You just take some rest.
I'm going to stay in bed a bit longer.
I'll see you later.
- What's up? - Tomorrow I won't wet my bed.
- What's that? - Tomorrow I won't wet my bed.
Good. Come on, get inside.
How are things? How was this past week?
- Good? Did you have a good time? - Yes.
As you know, the Earth is rotating continuously on its own axis.
And at the same time, it's rotating around the Sun.
Whilst the Moon, which is a satellite,
is rotation around the Earth.
So, when the Moon stands in the way between the Sun,
and the Earth, it causes the astronomical phenomenon that we call solar eclipse.
And the shadow of the Moon casts on the Earth's surface.
It's an interesting phenomenon because it's subjective.
That is, it depends on the individual who's watching it.
What we are going to see today in Madrid, is not the same
as what they will be seeing in Barcelona or Paris.
Next slide, please.
In an eclipse, we can clearly differentiate two areas.
The area of shadow, or umbra and the area of penumbra.
The area of umbra is that one which lacks light, in complete darkness.
HAVE YOU GOT IT?
The area of penumbra is what we call a weak shadow.
All along our history periods, eclipses have been explained,
with diversity and from a superstitious point of view.
Next slide, please.
In primitive cultures, they believed that what happened in the sky,
was a reflection of what was happening on Earth.
That's why they also believed that during an eclipse,
darkness reigned above the light.
So, in many cultures,
they believed that an eclipse was a good time
to make all sorts of sacrifices.
Next slide, please.
Even human sacrifices.
In fact, they will teach you about it in History class.
The Mayas believed that human blood was...
OK, it's time. We have to go up and see the eclipse but when we are back,
I will teach you about the different types of eclipses.
Sara, help me with the window, please.
Whoever doesn't have a negative, they can get one from this box.
- All right? - Yes!
And remember not to look at the Sun directly.
Always look through the negative.
- Have you got one? - Yes.
- Wait, wait for a moment. - No, come on.
- Just a moment. - Girls, upstairs now.
- Rosa, turn off the slide projector, please. - OK.
Wait.
What's wrong?
We have to wait for Diana.
The one who repeated her grade?
Yeah, I told her what we were going to do
and she wanted to join us.
But Rosa, girl, this was supposed to be just one thing between us.
Well, now it's a thing between us and Diana.
What difference does it make? She's really nice.
Plus... do you remember Manolo?
With the spiky hair?
The one who killed himself on a motorbike.
- He was her boyfriend. - But why did you tell her?
Look, I'm sorry, it slipped my tongue.
But everybody knows it works better with odd numbers.
Everybody is on the roof.
The coast is clear.
Begoña! What is this? Not with this!
What a manky place.
Don't wander off. Come this way.
Hey, wait for me!
Here.
Yuck, this is manky!
Hey, have you, girls, done this before?
Well, I have... back in my hometown. You said you also have, didn't you?
Yes, but only with cut-out pieces of paper. You know?
Never with an actual board.
They say you can ask anything and they tell you the truth.
Well, I understand that just because they're dead,
that doesn't mean they know everything, right?
- What did you bring? - A picture.
What's that?
You need a personal item of the person you wish to make contact with.
A picture is not a personal item.
How come? A picture is a personal item if it's the person who's on the picture.
I haven't brought anything from Manolo with me.
Are you watching it? The Moon is starting to move in.
Can you see the ring? Can you see the ring?
I cannot believe it!
Always look through the negative!
It's lovely.
It says you need to place your index finger on the glass.
Close your eyes.
Why?
That way you can make contact faster.
Is there anybody here with us?
I wasn't me. I swear.
Who are you?
Do you you wish to speak to any of us?
Are you - Are you Verónica's Dad?
Do you want to speak to Verónica?
S.
P.
Y.
SPY... I spy ¿I spy?
¿With my little eye?
- Damn, are you stupid? - You are stupid!
I know damn well you are moving it.
Vero, did you move it?
Who are you?
It's hot!
Vero.
Vero! Vero! What's wrong?
Vero! Vero! What's wrong? What's happening?
Vero, Vero, are you all right? What's wrong?
Leave it!
Get the flashlight, Diana! The flashlight!
- Where is it? - Over there!
- Rosa, I can't see! - Fuck!
It's here! I got it, I got it, I got it!
Shit!
The board is broken.
Where's Verónica?
Verónica?
Verónica!
- Diana! Go get help. Go now! - We are in trouble.
- Come on! Go now! - Fuck, stop it!
Verónica.
Verónica? What's wrong with you?
What are you saying?
Verónica.
Can you hear me?
What's happened to me?
You fainted.
Follow my finger.
We have tried to reach your Mom, but we couldn't.
She's at work.
Did you faint like that before?
No.
Did you have any breakfast this morning?
Yes.
Are you diabetic?
Verónica! Will you pay attention?
Are you diabetic?
- I don't know. - Is your blood sugar level high?
I don't know.
Is there any history of diabetes running in your family?
No, I don't think so.
Have you taken any narcotics?
- Pot, pills? - No, no...
- Are you sure? - Positive.
Have you got your period?
- How old are you, Verónica? - Fifteen.
And you haven't got your period yet?
It seems like you've had a drop in blood pressure.
You may be suffering from iron deficiency.
I you could, I would advise you to have some red meat for lunch today.
Rest for a few minutes here. School is about to finish for today.
- That's cool. Brilliant! - Hey, girls!
- We always have to wait for you. - What's happened to your hand?
Nothing. I fell in the school yard and I cut my hand with some glass.
- Can I see the wound? - Where's Rosa?
- She took off already. - She didn't wait for me?
You missed the eclipse. The Sun turned all black!
- The Sun goes black. - It was fantastic.
- Why weren't you here? - I was in the infirmary.
- Hey, you can't tell Mom about this. - About what?
About me cutting my hand, OK?
No one?
- No one, anything, never. - No one, anything, never.
Not about you, not about me, not about any of us.
All right, let's go.
What's wrong, Irene?
Sister Death is staring at you.
She's blind. What are you talking about? She can't see at all.
She's blind.
Isn't blind the same as deaf?
No, not deaf.
The socialist party will make an appeal...
BEST MOM IN THE WORLD
asking for the mail ballots to be annulled...
- Hello, Mom! - Hello!
Can we have some money to kill the Martians?
OK, you go get it.
But only one game and then, off you go home!
Ana, where's my dessert? Chrissakes!
- Watch your language when the kids are here! - Mom!
Can I have the dessert for table seven?
Will you stop for a minute?
You're always covering your face. Such a beautiful face.
- Mom! - I'll get your lunch boxes...
I've also made some macaroni for dinner.
Mom!
Pick up the kid and you guys go home for lunch.
Come on!
I'm starving. My stomach is growling.
- That's farts. - That's what you think.
Farts, farts, farts, farts...
Irene, take this, heat up the food.
Why me? It's always me doing it.
Antoñito, take off your jumper and go wash your hands.
- That's because I am her favorite. - Yeah, right. In your dreams, girl.
What's that?
Nothing. Come on, let's go lay the table.
Vero!
Did I not say for you to go lay the table?
You keep close watch.
- Enough? - Yes.
And then...
in front of the Sun, there was, there...
like something black...
That was the Moon!
Did you not understand what our Science teacher explained in class?
It's like, just imagine a black ball,
and then, another yellow ball.
And the black ball stands in front of the yellow ball, which is the Sun.
- Irene, will you get some more milk? - You go get it.
- Rock-paper-scissors. - Rock-paper-scissors.
One, two, three... now!
- I won! - No, no... you have to win three times.
Rock, paper, scissors. One, two, three. Now!
Yikes!
I beat you, I beat you, I beat you...
You cheated.
I cheated? You are a cheater!
I never complain when you win.
There's no milk left in the fridge, over.
There's some in the pantry, over.
Verónica?
Hello?
Irene, come here. Verónica's all frozen up.
Verónica?
- Verónica! - Good thing it says easy-open.
Verónica!
What's happened?
You weren't moving.
And you puked.
Are you OK?
I'm fine. Clean this up, please.
I'll get it!
Yeah, OK.
Yeah, I'll tell her.
OK. Bye-bye.
- Who was that? - Rosa.
Why didn't you give me the phone?
She said she couldn't come over,
she has to run some errands with her Mom.
Didn't she ask to talk to me?
No.
Hello?
Hi, it's Verónica. Is Rosa there?
Hi, Vero. No, she isn't here.
But she just called.
She just went out the door with Diana...
I thought all three of you were meeting.
Vero.
Yeah, yeah. I'm running late.
Tell her not to forget that she has to be home by eight.
OK, I'll let her know.
Thanks, sweetheart. See you soon.
♪ Centella gives me time to enjoy, ♪
♪ Centella, Centella. ♪
Nine!
♪ Centella gives me ♪ ♪ time to enjoy... ♪
Eight!
Girls, put your pyjamas on.
Seven! You're in the bathroom!
It's no good! Vero gave me away. Let's start over.
♪ Centella gives me time to enjoy... ♪
Antoñito, that's enough! You sound like a parrot!
If you don't know the words, why are you singing it?
Yeah, yeah.
I see you...
♪ Oh, time to myself ♪
♪ Oh, time for life ♪
♪ Centella gives me time to enjoy ♪
♪ Centella ♪
Girls, behave.
Scrub hard, I'll be right back.
Girls, please.
What?
♪ Oh, time to myself, time for life ♪
♪ Centella gives me time to enjoy ♪
♪ Centella, Centella ♪
Vero!
Antoñito!
- Vero! - Antoñito!
Vero!
Antoñito!
Antoñito, what's wrong?
- Vero! - It burns!
What happened?
- What is that? - It burns.
Did you open the water tap?
I didn't do anything.
One, two, three... what is it?
- A bird. - No.
A flower.
No.
A dog. Turn over.
One, two, three... what is it?
- A balloon! - Yes!
Baby, I'm sorry I put the water on so hot.
It wasn't you.
What?
It wasn't you.
What did you say, baby?
Tomorrow I won't wet the bed.
♪ Centella gives me time to enjoy ♪
♪ Centella, Centella ♪
♪ Centella gives me a shiny floor, ♪ ♪ Centella, Centella ♪
♪ Oh, time to myself ♪ ♪ Oh, time for life ♪
♪ Centella gives me time to enjoy, ♪ ♪ Centella, Centella ♪
♪ Let's leave, ♪
♪ let's leave this room, ♪ ♪ into outer space ♪
♪ Your eyes blur over, ♪
♪ all the same color. ♪
♪ Don't lie to me. ♪ ♪ Let's leave... ♪
♪ let's leave this room ♪ ♪ into outer space, ♪
♪ Your eyes blur over, ♪
♪ all the same color. ♪
♪ While nothing matters! ♪
♪ Nine, ♪
♪ Eight, ♪
♪ Seven, ♪
♪ Six, ♪
♪ Five, ♪
♪ Four, ♪
♪ Three, ♪
♪ Two, ♪
♪ One! ♪
Vero...
What are you doing here?
Verónica...
Dad?
FRIDAY, JUNE 13th 1991
08:29 A.M.
Antoñito, what's wrong?
It just leaked out.
Is it 8:30?
- Why is it always Verónica's fault? - Watch your step!
- No, no, don't close! - Please, just a second!
- That was very close, huh? - Thank you.
Thank you!
Bécquer's "Legends" used to begin
with an introduction to take the reader to a distant past.
One of the characters would warn you about a prohibition,
to which the protagonist had to abide by.
And then, that very character would cross the allowed limit,
and suffer punishment for their infringement.
Alonso and Beatriz died because of Beatriz's carelessness
when she forced Alonso to go atop Mount of Souls on All Saints' Day.
In "The Kiss," López de Ayala attacks
his captain for profaning the statue of Doña Elvira.
In short, no one escapes the consequences
of passing the limit that divides reality from fantasy.
If you'd, please, open your copy of "Legends."
We are all going to read "The Mount of Souls" together.
OK, so, I'll start.
"On the night of the dead, the pealing of the bells"
woke me at who knows what hour,
"the monotonous and eternal tolling brought to mind this tradition..."
- Yes? - May I go to the bathroom?
Of course.
"Once prodded, the imagination is a horse run wild..."
BATHROOM
Do you know when you go inside a house, and they've just made pancakes?
It's easy to tell the smell.
That smell of cinnamon...
Fried bread...
Warm milk.
If you close your eyes, it's like they're on a dish in front of you.
You could almost take a bite.
I used to be a Language and Literature teacher.
The pancakes is a metaphor.
What grade are you in?
Ninth.
So, you know what a metaphor is, right?
And you also know we aren't talking about bakery.
Do you smoke?
No.
Good.
They call you Sister Death.
I know.
- That doesn't bother you? - No.
I like it. It actually sounds better than Sister Narcisa, right?
What's in your hand?
How did you know I'm holding something?
You don't always need eyes to see.
Bring it closer.
What you did here is really dangerous.
I just wanted to talk to my Dad.
It's not who you want to talk to. It's who you talk to.
If it isn't my Dad, then, who is it?
- You have siblings, don't you? - Three of them.
You will have to protect them.
Protect them from what?
You all stop moving!
Stop moving!
You all stop moving!
Don't move!
But I'm alone.
No.
You are not alone.
Someone answered your call.
And now it walks with you.
Don't move.
In the name of our Lord Jesus Christ,
leave this body that does not belong to you.
In the name of our Lord Jesus Christ,
leave this body that does not belong to you.
Recess is over, girl.
Run, run, run.
Maybe you'll get away.
Rosa!
Hi!
Who was that?
Felipe, my cousin's classmate from college.
- What did you want? - Are you mad at me?
Vero, why would I be mad at you?
You didn't come over yesterday.
I had to go with my Mom, didn't your sister tell you?
It's because of yesterday, isn't it?
The Ouija board is stupid. You say dumb stuff and move a glass.
You noticed something, too.
Rosa!
- You saw it, too, didn't you? - Saw what?
- Since yesterday, I've been seeing... - Rosa!
We have to go quick, the store is going to close.
- Are you coming? - Where?
Rosa's parents are going away for the weekend
and we're throwing a party at her place.
Why didn't you tell me?
Girl, she's telling you now.
Besides, I don't think you can come around, can you?
You have to look after your brother and sisters.
Let's go.
Vero!
- Drop by if you can. - Come on, we are going to be late!
Lucía, stop copying my homework!
THE GREAT ENCYCLOPEDIA OF THE OCCULT
This is boring! It's always the same!
Antoñito, that's enough! Go play in your room.
Lucía, stop copying your sister's homework or else you won't learn a thing!
- I learn when I copy, too. - You're such a piece of work.
You're going to do it, anyway. Why do you care? You're so selfish!
You're always the same! Then you do it one day and I'll copy!
We could do rock-paper-scissors but you do it better.
It's not that I do it better...
You have siblings, don't you?
You will have to protect them.
GODS AND AMULETS
VIKING SYMBOLS OF PROTECTION
Representing Madrid, Lucía Gomez, 19 years old...
She is a doctor, lawyer, lifeguard and firefighter.
But there's a secret nobody knows about Miss Madrid:
She's a robot!
And the robot has super duper smart artificial intelligence.
Miss Madrid, soon to be contender for Miss Spain.
- What's that? - A thing we made in class.
How ugly!
Take that, Miss Madrid!
Will she win the crown as Miss Spain?
Yes or no? Soon in theaters near you.
Miss Madrid is 25 years old, has 7 children and she loves singing...
Who is it?
Josefa.
- Where's your Mom? - At the bar.
Of course. Wanna tell me what you, guys, are all up to?
What's wrong?
The lamps! Are you dancing or what?
The lamps won't stop shaking!
- We're not doing anything. - Really?
It looks like the ceiling is going to crash on me.
Something else, I've got a huge black stain, right below your bedroom.
You have moisture problems?
- I don't know, I'll tell my Mom later. - Yeah, right!
If you see her, that is, huh?
You'll sleep well tonight with all that running around.
Fucking kids.
Shit!
Verónica.
Why are you, girls, still awake?
Lucía, it isn't funny. I can see your room from here.
Help us. You're the one who called it.
Don't let it hurt us.
Irene!
Lucía!
Girls, wake up!
Lucía!
Vero! Vero!
What are you doing?
There was someone here who wanted to hurt you.
There's no one in here!
We can't see it, but it's here.
Look!
He burned the amulets!
Get your mattresses, let's go.
We're all sleeping together in the living room.
I'm going to get Antoñito.
Wake up!
It's Venice!
Vero.
Go to sleep.
Why were you choking me?
I wasn't choking you. I was protecting you.
From whom?
From something bad that came inside the house.
Who came inside the house? Josefa?
No.
An entity from the other side. An evil being.
A ghost?
A spirit?
Don't be scared. I'll protect you guys.
Because you're the oldest?
- I'm glad you're my big sister. - I'm glad you're my little sister.
I'm not little. I'm in the middle, because Irene came out after.
That's right.
Go to sleep. I'll keep close watch.
- Sorry, what's going on? - It's a festival in Benahavís!
Verónica...
Vero, Vero, what's wrong?
What's going on?
It's back.
- What's this? - Mommy! - Mommy!
Can you tell me what's going on here?
- A bad man wanted to kill Lucía. - Lucía, are you OK?
Someone came in the house?
No, they didn't come inside. They were already here.
- Vero! - Nothing happened, Mom.
But was someone in the house or not?
- No. - Yes.
- I'm calling the police. - A spirit.
- What? - Yeah, a ghost.
I didn't see it, but Vero did.
Have you been watching scary movies again?
A little.
Don't worry, Mom. Vero will protect us from the spirit.
Come on, let's pick all this up and go to bed.
And you go to your room!
- But, Mom... - No buts! Go to your room.
What happened?
- Speak up! - Nothing.
Your sisters are little and they've got a huge imagination.
Don't give them weird ideas because then they can't sleep.
How do you know if they can or can't sleep?
You're never home! You don't know what goes on here.
So, what goes on here, then?
- He wants to hurt us! - Who?
I don't know! I'm the one who called him with the Ouija board.
You played the Ouija board with your sisters?
- Not with them! With Rosa! - But...
Why are you playing with such dark things?
I wanted to talk to Dad.
I know you don't care.
You stuffed his pictures in a box so you don't have to look at him.
Don't say that!
- I just wanted to talk to him! - That's enough!
You're reading too much of that stuff, and it's having an effect on you.
It's the truth.
Vero...
I need you to grow up.
I need to be able to count on you. Because I'm on my own.
I'm the one on my own.
You're not making it easy. I'm really tired.
We'll talk some more tomorrow.
♪ Nine, eight, seven, ♪
♪ six, five, four, ♪
♪ three, two, one! ♪
- Vero, come on! - Vero, get up!
- Wake up! - Come on!
- Get up!
- Let's go! - Leave me alone, let me sleep!
- We're hungry! - Come on!
We've got lots to do!
We're hungry!
- What are you doing? - We're hungry!
Get out, leave me alone!
- Come on! - Get up!
Do you want to play a game? Show me your arm.
What are you talking about?
What are you doing?
Stop it!
Stop! Stop it!
Mom! Mom! Help me, Mom!
Mom, help me!
Mom, Mom!
Mom, Mom...
Mom!
Leave me alone! Mom!
Mom!
Mom, help me!
Mom...
Help me, Mom.
- She can't hear you. - Mom!
I need you to grow up.
Mom...!
Mom!
SATURDAY, JUNE 14th 1991
10:40 A.M.
- Did you make breakfast? - Wait for the show to finish.
Always the same, I'm sick of you, guys!
Wait.
Why is this book here? You can't read!
Dad came to read it to me.
Say that again?
Dad came to read it to me.
Dad came?
He's coming back again tonight.
What else did he say?
That he's going to take me to where he lives.
Antoñito, listen to me.
Listen to me.
If he comes back, don't listen to him, OK?
Plug your ears.
How do you plug your ears?
Great, like that.
And you call me, OK?
You call out my name really loud. OK?
Kids, we're leaving!
- Hi, Mom! - Hey there!
- What are you doing here? - I need to go to Rosa's house.
- Right now? - For homework. Can they stay here?
- Yeah. Will you be back soon? - Yes!
They're right. You're a crazy old woman.
Then, why are you back?
Because you can see the shadows too, like me!
Maybe we're both crazy.
I've been trying to stop seeing them for a long time.
I did this to myself, you know?
Back then, I didn't know you don't need eyes to see.
I don't know what to do to protect us.
Amulets and crosses don't work, he's not afraid of them.
A cross? God has got nothing to do with it.
Leave Him out of it.
How can I make him go away?
The same way you let him in.
He must go back through the door you opened.
You must shut the door.
Then, you'll have to destroy it.
- Destroy the Ouija board? - No, the door!
You have to do right what you did wrong.
What's wrong?
Sister, again?
I don't understand how you can manage to get all the way down here.
What are you doing here on a Saturday?
Sister was helping me with a project.
She's in no condition to help anyone. This way, Sister.
The answer is in the books.
See what great advice she gives?
You have to do right what you did wrong.
Careful, Sister.
"You have to do right what you did wrong."
"You should never end a séance without..."
Without what?
"You have to do right what you did wrong."
"You have to do right..."
"You have to do right what you did wrong."
"You should never end a séance without saying goodbye.
Whatever you don't say goodbye to, will stay with you.
If it doesn't work, try again another time."
Whatever you don't say goodbye to, will stay with you.
"You have to do right what you did wrong."
The answer is in the books.
"You have to do right what you did wrong."
Whatever you don't say goodbye to, will stay with you.
"You have to do right what you did wrong."
Whatever you don't say goodbye to, will stay with you.
"You have to do right what you did wrong."
"You should never end a séance without saying goodbye."
"You have to do right what you did wrong."
Hi.
Hey!
You made it.
Rosa, I know what we have to do.
- Why did you bring that? - We have to do it again!
- What are you saying? - We didn't say goodbye!
Whatever you don't say goodbye to, will stay with you.
- What are you saying? - It says so right here.
- Cut the bullshit. - We have to do it again!
- Put it away! - Let's go to your room.
- Please, don't. - Where's Diana?
- Calm down! - Where's Diana?
- Put it away! - Diana!
- Let's go to your room. Diana! - Verónica!
Diana!
- Where's Diana, have you seen her? - Shut up.
- Verónica! - Diana!
Have you seen Diana?
What are you talking about?
Diana! Have you seen Diana?
- No. - Who is Diana?
Diana!
- Diana! - Girl, what's your problem?
Diana!
- Where's Diana? - Verónica, please.
Diana!
Diana.
Diana, come here.
- What the fuck are you doing? - Come on, we have to do it.
- Do what? - The three of us together.
- Let me go, you're crazy! - Come on, Diana!
- Leave me alone! - Let go of me!
- I'm kicking you out! - Come on, Diana, Rosa!
Rosa! Rosa!
Go fuck yourself!
Rosa, we have to do it again.
- Verónica, you don't remember, do you? - Remember what?
You whispered something to my ear the other day.
What did I say? Tell me, Rosa!
You said you were going to die today.
- What? - Vero, I'm sorry.
- What did you say? - We were scared, we didn't...
What's that?
Did you bite yourself?
No, Rosa. I didn't.
Come on, let's go.
Rosa!
Ana, give me a beer!
Mom!
Hey, cutie, you are not made of glass!
- Can we go home now? - Wait.
Mom!
Where were you all day?
Take the kids, they can't stay here forever!
- Hélène, give me the lunch boxes for the kids. - Coming!
Mom!
What?
Mom, close the bar.
Right now, let's all go somewhere.
What are you talking about?
Mom, he doesn't come when you're home.
Same story again?
I'd love to close and eat with you, but I can't.
- Ana, I'm going! - Coming.
Look...
Why don't we go to the park tomorrow?
Spend the day, like we used to, before.
What do you think? I'll make some sandwiches to eat there.
Fancy that?
Ana, the lunch boxes!
You grab them.
Kids, let's go.
Finally!
- Let's go. - Are we going home?
Let's go, sweetheart.
Verónica!
Score!
Pedro Riesco scored. After Ribera's mistake,
first score in the game for Rayo Vallecano...
You have to do right what you did wrong.
- We're going to play a game. - What game?
We're going to play a game where you have to do what I say.
That game sucks.
Grab the candles in the top drawer.
Antoñito, draw this on the hallway walls.
- OK! - Great.
I get to draw on the wall.
Mom's going to ground you until you're at least 40.
Come on, start moving furniture. We need plenty of room.
SATURDAY, JUNE 14th 1991
23:45
VIKING SYMBOLS OF PROTECTION
SYMBOLS OF INVOCATION
Not you. Just the three of us. Sit over there.
You, girls, close your eyes.
Is there anyone here with us?
Who's here with us?
Are you here?
Yes.
We have gathered here to say goodbye to you.
You need to leave this place.
No.
We command you! Repeat after me, girls.
We command you!
This is not your house!
Get out!
This is not your house!
Leave!
This is not your house!
"To properly conclude the séance and bid farewell,"
"all participants should sing a mantra or a soft song."
- We didn't do that, either. - What's a mantra?
I don't know.
- But it says a soft song works, too. - Which one?
One all three of us know.
"Centella."
♪ Centella gives me time to enjoy... ♪
♪ Centella, Centella. ♪
♪ Centella gives me time to enjoy... ♪
What's that?
♪ Centella, Centella. ♪
♪ Time to myself, time for life, ♪
♪ Centella gives me time to enjoy... ♪
♪ Centella, Centella. ♪
Girls, keep going. We can't stop.
Time for life...
♪ Centella gives me time to enjoy... ♪
♪ Centella, Centella. ♪
♪ Time to myself, time for life, ♪
♪ Centella gives me time to enjoy... ♪
♪ Centella, Centella, time to myself... ♪
Come on, don't stop! Don't stop!
♪ Centella gives me time to enjoy... ♪
♪ Centella, Centella. ♪
Yuck! It stinks.
♪ Centella gives me time to enjoy. ♪
- Lucía, don't stop. - Centella, Centella.
♪ Centella gives me time to enjoy... ♪
♪ Centella, Centella. ♪
Keep singing! Don't listen to that!
Wait here, girls.
Don't leave.
He's here!
- Police. What's your emergency? - Help! Help, please!
- Please help! - Quiet down so I can understand. What's happening?
Please, help us! He's inside!
- He's inside! - Is there someone in the house?
Calm down. We're sending someone right away.
- I need you to give me your address. - Calle Gerardo Núñez, 8.
Antoñito, stay here! What are you doing?
Antoñito!
No!
He's in the bathroom!
Antoñito!
Girls, Don't move! He's in the bathroom.
Antoñito!
Antoñito?
Are you all right?
Are you OK?
Let's get out of here.
Girls! Girls!
Girls, where are you?
Irene, where's your sister?
Irene!
Lucía, let's go!
Let's go! Run!
Come on, run! Let's go!
Come on! Run!
Damn, Paco! Cops!
What's going on?
Girls, run faster! Come on!
Hurry up! Let's go!
Run, girls, run!
Open the door.
- Vero! - Vero!
Where's Antoñito?
SUNDAY, JUNE 15th 1991
01:50 A.M.
Mom! Mom!
What happened? What happened?
Where's Antoñito? Where's Vero?
Antoñito!
Antoñito?
Antoñito.
- Vero, Vero... - Antoñito, come on.
- Vero, Vero, Vero... - Antoñito, let's go.
- Vero, Vero, Vero... - Antoñito, it's me.
No, no, not you, no, no, no, no, no...
If he comes back, don't listen to him, OK?
Plug your ears.
And you call me, OK?
You call out my name really loud. OK?
Vero, Vero, Vero...
You have siblings, don't you?
You'll have to protect them.
Don't worry, Mom. Vero will protect us from the spirit.
You're reading too much of that stuff, and it's having an effect on you.
- You're reading too much... - Vero! Vero!
What are you doing?
You can't see it, but it's here.
Why were you choking me?
I wasn't choking you.
I was protecting you.
- Did you open the water tap? - I didn't do anything.
Antoñito!
Baby, I'm sorry I put the water on so hot.
Did you move it?
Did you bite yourself?
It wasn't you.
Someone answered your call.
And now it walks with you.
If it isn't my Dad, then, who is it?
It's me.
Vero, Vero, Vero, Vero...
Hey, little man, come here. Easy.
Come here. Come with me.
- Where's Vero? - Vero? She's fine.
Pellicer, send paramedics up. Repeat, send paramedics up.
Vero!
My child...
Vero...
Detective.
Go ahead.
The girl just died.
SUNDAY, JUNE 15th 1991
02:00 A.M.
JUNE 15th 1991, DETECTIVE JOSÉ RAMÓN ROMERO
WENT TO THE APARTMENT ON 8 GERARDO NÚÑEZ STREET,
IN RESPONSE TO AN EMERGENCY CALL.
IN THEIR STATEMENT, FAMILY MEMBERS DECLARED
THAT AFTER A SÉANCE WITH A OUIJA BOARD,
THE GIRL HAD SHOWN A STRING OF EERIE MANIFESTATIONS
AND PARANORMAL PHENOMENA HAD ALSO OCCURRED IN THE APARTMENT.
TWO OF THE RESPONDING OFFICERS HAD TO, UNEXPECTEDLY, LEAVE THE APARTMENT,
DUE TO NAUSEA, DIZZINESS, LOSS OF EYESIGHT AND SHAKING.
THEY WERE OFF-DUTY SICK FOR TWO WHOLE 2 WEEKS.
ONE MONTH AFTER THE EVENTS,
DETECTIVE ROMERO REQUESTED TO BE TRANSFERRED TO ANOTHER DISTRICT.
IN HIS REPORT, DETECTIVE ROMERO STATED THE PRESENCE OF PHENOMENA
THAT CAN ONLY BE CLASSIFIED AS "IMPOSSIBLE TO EXPLAIN."
IT IS THE ONLY POLICE REPORT IN SPAIN WHERE AN OFFICER
ADMITS TO HAVING WITNESSED PARANORMAL ACTIVITY.
Translation and subtitles by PEPPER & LALASPAIN *** SONG LIVES FOR EVER ***